Welcome to the Playpen, our space for ferrety banter and whimsical snippets of things that aren't quite long enough for articles (although they might be) but that caught your eye anyway.
But is such perfect control of one's mind without any previous experience or knowledge that the force works in this fashion really such a credible thing and not cutting corners? If the force works by just one's trust in what is possible to do with the force, that would still require some knowledge. And if the force is meant to be just believing in yourself, it is not very interesting in my opinion and rather disappointing. But I guess it is not unprecedented. But Yoda's cryptic statement could easily be seen as just the sort of thing any pop-zen master says to the pupil in order to demonstrate their own mastery. It doesn't actually need to mean that the whole measure of the skill in question is belief and no experience or practice is required.
But I guess the explanation for Ren's cock-up is alright. I still can't really say that I liked it much. That whole planet business was a bit of a let down, to be honest. Among others. Isn't it kind of proof of a problem in plotting, when it requires a short essay with refernces to how the earlier mythos might support it to explain it? But fun though, like being in a theological dispute.
Why don't people complain about Luke holding out as long as he does in his duel against Vader in Empire Strikes Back, when Vader has a decades-long head start in saber training and Force use and Luke's training is woefully incomplete? Sure, Luke doesn't have a good time in that fight, but by rights Vader should have had him disarmed in seconds.
Also, it's not like Rey spontaneously activates a mind probe without prompting or any experience in Force-based telepathy. First there is the interrogation sequence, where it seemed clear enough to me from their emoting that Ren started out with the mind probe, Rey put up a wall of resistance as an instinctive response, then she found that she could use that wall to push Ren out of her mind, then she found she could push a little further into Ren himself. It's only later that she tries to apply that to the stormtrooper, and it's established early on that she is a fangirl of the old legends of the Jedi and Luke Skywalker so presumably she's as familiar with the concept of the Jedi mind trick as any of us are.
Consider this: maybe Force training is not and never has been about developing Force abilities like they are teachable skills. Let's entertain the notion the training is instead a matter of overcoming the doubts and ingrained assumptions that stop you using these abilities in the first place.
Luke never had any "shoot very accurately without using a targeting computer" Force training - Obi-Wan just told him he could do it if he tried, and he believed Obi-Wan and he did it. Yoda seriously thought that Luke, despite the early stage of his training, might in fact be able to lift his X-Wing out of the swamp by using the Force - Luke fails because he doubts himself and Yoda succeeds because Yoda has absolute faith in his own ability to do it.
This is why both Obi-Wan and the Jedi Academy use the bucket-on-the-head method of teaching people to use their Force senses. It's not about learning to use a sense that has atrophied and needs training and work to make it function - it's about overcoming the assumption which you have worked with since birth that your physical senses are the only ones you have. Once you believe you can block the little zappy droid's zaps with your lightsaber without seeing it, then you will be able to do it; if you don't believe you can do it, you never will.
And that is why Rey is able to hold her own against Ren in a lightsaber duel, and overcome his telepathic probe, and use a force ability she has not been specifically taught. When it comes to the crunch, Rey is able to act without doubt, whilst Ren is full of doubts.
We have been told this quite specifically by Yoda. "Do, or do not. There is no try."
Taken in this light, a heap of stuff makes perfect sense. The Force is basically all about "believing in yourself", a value which may be hokey and sentimental but is also 100% Hollywood right down to the core. This is consistent whatever your status; more or less all the significant Dark Side Force users we have ever encountered believe implacably that they have the power to enact their iron will. Kylo Ren is the major exception, which is what makes his inherent doofiness a necessary and important part of his character; it is explicitly stated in the film that he needs to do something to lay his doubts to rest definitively if he is ever going to progress.
Finn was okay, if a bit of a vague character. And I missed his magical dog as well. Jake the Dog and Finn the (ex-)trooper, The fun will never end, It's Star Wars time!
No spoiler tags because if seeing Star Wars unspoiled was a big deal to you but you still haven't seen it yet then either you're being lazy as fuck or you've got enough higher-priority things going on in your life that Star Wars probably doesn't seem that important in context anyway.
I don't get the complaints about Rey's extensive skillset. She's been fending for herself in an outpost occupied by a baffling variety of aliens and scavenges starship parts for a living. Learning self-defence skills, a wide scattering of languages, and how starship engineering works are all perfectly appropriate things for her to pick up along the way. The only really mysterious "why is she that competent?" issue is her capability to resist and turn around Kylo Ren's force interrogation without formal training, but frankly trashing the idea of a formal Jedi Academy with organised classes in favour of Force use being something you discover within yourself, either by yourself or with the help of a guide, works just fine for me - and Force stuff works perfectly as a mysterious "there's something more going on here" thing.
Naughty fan theory: so, the lightsaber used by Anakin and Luke alike is almost a character in itself by this point. It literally summons Rey with the wails of a screaming child, and shows her glimpses of all sorts of things connected to its past bearers.
I like to imagine that the screaming child is one of the younglings massacred in Revenge of the Sith. And I especially like to imagine that Disney secretly got Michael Moorcock to consult on the movies, and the saber in question is this dimension's local incarnation of Stormbringer.
But I guess I chose to focus on the robot, because the new movie itself was amusing enough, but was just so much doing the same thing again and so blatantly, that it his hard to really grasp at anything more concrete. I'm happy the movie is doing well and its great that the protagonists are more diverse, but all in all it was just so flat. The new robot doesn't do anything. The stormtrooper guy does stuff, but for unknown reasons. The chosen one is the worst kind of chosen one, the kind that just knows stuff, because they're chosen. One of the strong points of the original trilogy was that it made its world building deeper by referencing the passing of time quite well also. So the wizardry is more credible, when it actually takes a significant amount of time to learn the magic. At first, he was clearly unskilled, doing the only trick with the help of the space monk ghost (destroying the death star). Next, he is training, but is clearly far from mastering anything. And finally he becomes a master after at least some years have passed.
So if someone just knows how to do stuff, it lessens the impact of the skill and is kin of nonsensical anyways. Same thing ruined Kung-Fu Panda for me. Yeah, so I guess some things did bug me about the new movie... but in the end, not really that much. It was alright, but nothing more. Which I don't really know why I expected it to be or why it even should be more.
@Daniel: Yeah, I'm not sure how that happened. I agree the Expanded Universe is too niche to be responsible, and that our Western obsession with Manichaean binaries is a more likely culprit, but maybe doesn't tell the whole story. It'd be an interesting topic for a bit of pop culture archeology. I do feel like the language use may be partly to blame as well, because to me, referring to "sides" implies two equal portions which are opposed in some fashion.
@Janne: Sorry I didn't get to you before, but I meant to say that even though it didn't bother me, I see where you're coming from with BB-8. Artoo was a very proactive character, but BB-8 is almost entirely reactive.
Anyway, the more I think about, the more I think I know who would have been a much better actor to play Kylo Ren and to bring out those qualities mentioned in the "Dorks Awaken" essay: Hayden Christensen. The biggest complaints about his portrayal of Anakin after all (whiny, petulant, emotionally unstable) are precisely the traits which define the Kylo Ren character. The key difference being that unlike Driver, Christensen could still pull off being legitimately threatening when he needed to (slaughtering Tusken Raiders in Attack of the Clones, slaughtering kids and battling Obi-Wan in Revenge of the Sith).
I've even joked in the past that casting Driver might have been a stealthy attempt on Abrahms' part to rehabilitate Christensen, but the more I think about it, the more it fits. And hey, as long as they were ripping off Darth Vader's character arc for him anyway ... (I think that's the one element of the movie which really, genuinely, and truly pissed me off.)
thank goodness they went with that stereotype, rather than "Middle Eastern terrorist" - what a trainwreck that would have been
Yeah, what would that have been like? A small group of young male insurgents who believe in a weird religion and who hate a vastly more powerful oppressive nation plot to blow up one of its giant symbolic installations. Though most of them die in the process they succeed against all odds, but immediately afterwards their leaders are forced to go deep into hiding as a galaxy-wide manhunt begins.
That would've been terrible! ;)
It's really quite bizarre. If you just go from the OT and PT, there is no such as the Light Side. There is only the Force, in a vaguely monistic way that waffles its way in between the Brahman and Abraham's God. Per the films only, Star Wars' morality is not actually dualistic. There is only the Force/life/goodness/whatever, and evil is to defect from it. The closest you get to any idea of a 'light side' is in the occasional somewhat confused quote from Luke, e.g. "How am I to tell the good side from the bad?"
Yet it has somehow become a pop culture truism that Star Wars is about a dualistic conflict between Light Side and Dark Side, which are epitomised by Jedi and Sith.
On the one hand, it's tempting to blame the EU for that, since everything from comics to video games embrace that framework, but that might be overstating the influence of materials that most of the public never looked at. My speculation would be that it's something to do with the way contemporary Western cultures think about morality, and that we've somehow applied a cheap Manichaean heuristic so deeply even to the point that we hold up Star Wars as an exemplar of something it doesn't really show. But that doesn't explain why Star Wars.
All pain is sympathetic, but many actions taken as the result of pain, and maybe even most of them, are not.
As for the main substance of the article: I remember there was a podcast discussion somewhere of how Darth Vader was the embodiment of "The Man," the biggest social fear of late 70s/early 80s in the US; and how Kylo Ren is the embodiment of the modern social fear: the frustrated, unstable, entitled young man with a gun on a killing spree (in which case, thank goodness they went with that stereotype, rather than "Middle Eastern terrorist" - what a trainwreck that would have been). This is a pretty good breakdown of how Kylo Ren works in that role.
Mind you, I do think Kylo Ren is one of the movie's weak points, but not precisely because he's uncool. Not even because he's utterly laughable when you see his face and hear his voice without the mask. In the right hands, you could make a character who is at times pathetic and even laughable scary and a serious threat: that's basically the spree killer profile as the author notes. The problem is that while Kylo Ren is obviously supposed to be menacing, whenever I see Adam Driver's face and hear his voice, I cannot take him at all seriously. Even when he's doing kind of dangerous things, he exudes this aura of wimpiness where I can't find him the least bit scary.
the concept of the Force and its Light and Dark Sides, a concept that has probably been the most important contribution to pop-culture ethics in living memory.
I took "pop-culture ethics" to refer to "how we use pop culture in discussions of ethics"; and in the sense of how we refer to people and organizations as "going to the Dark Side" as a shorthand for engaging in behavior which we view as reprehensible, I think it's probably an accurate observation.
Arthur: The way the guy goes on about how life just keeps sucking after high school feels to me as though he is taking his own personal experiences and trying to present them as a universal truth, which is a bad move in general but is particularly difficult to go along with in the context of what he's criticising in the article.
Throughout the piece, I felt like he was talking about a certain subgroup of white, straight, male nerds rather than the collective nerd experience, or even the collective white, straight, male nerd experience. I didn't see him as making a universal claim about the the kind of expectations straight white male nerds had coming out of high school, or feeling left out because there are no white guys among the new crop of protagonists, or a bunch of other items. I figured he was talking about the kind of white male nerd who's a high risk of becoming an internet troll, or, in extreme cases, a mass murderer. And I can believe those guys have had a difficult and disappointing time coming out of high school.
(My life experiences have hardly been typical, but yeah, suffice it to say it's gone through many improvements and transformations after what would've been high school if I'd ever gone. As with most people, I suspect, it's been a series of ups and downs, not things just generally sucking.)
I would think that the sort of dualism that Star Wars so incoherently puts out is actually not very significant in any sort of ethics. Talking philosophy wise, isn't Star Trek a much better take on ethics, pop-culture or otherwise. Of course it does raise a question of what the hell pop-culture ethics are supposed to be. I guess Matrix is the most important contribution to pop-culture ontology then. What of logic and epistemology?
My main peeve about the movie, BTW, which is not really that important,I guess, but is symptomatic of some shallowness in the new characters, is BB-8. One of the cool things about R2-D2 was that it was not a beeping puppy with a memory stick, just reacting to stuff like emojis, but it actually did all sorts of stuff. It started to crack Death Star immediately and both found the princess and saved them from the garbage crusher, but further on it also fixed the Millenium Falcon and did all sorts of important stuff. At times it seemed that it was the only thing who actually had a real idea about what was happening. But BB-8 is just a pet. I do not know why that disappoints me so.
Then again, the way he talks about how the positive attention parents promise you will get after you graduate high school never manifests suggests a slightly unfortunate personal history, so maybe I'm being a bit hard on the guy.
In my experience, the trick to having a much more positive time of it after leaving school is to recognise your new freedom to actively associate with people you like and get on with and avoid the company of people you don't really have anything in common with, and to grab that opportunity tightly and run with it. That's where the positive attention starts coming in.
The way the guy goes on about how life just keeps sucking after high school feels to me as though he is taking his own personal experiences and trying to present them as a universal truth, which is a bad move in general but is particularly difficult to go along with in the context of what he's criticising in the article.
Is this what you mean by indulging massively in nerd self-mythologizing? Because I had a hard time taking him seriously after that (although he does make some interesting arguments.)
Spoilers for The Force Awakens, though frankly if you were invested enough in the movie that spoilers would ruin your day you should really have seen it by now.