Playpen

Welcome to the Playpen, our space for ferrety banter and whimsical snippets of things that aren't quite long enough for articles (although they might be) but that caught your eye anyway.

at 21:45 on 01-07-2015, Arthur B permalink
at 09:51 on 28-06-2015, Ashimbabbar
re Korrasami: I understand Mako was meant as Korra's love interest, designed in order to cash in on the massive Zutara shipping.
The problem being he has all the personality of a tapeworm, and as for a B-like-Bolin plan… Bolin. Nuff said. So, it being a law that the heroine has to end up shacked with SOMEone, who else was left ?

( all right, I never watched LoK or AtlA either. I read the plots and followed enough fan comments and flaming to get a pretty good grip on what was happening, though )
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at 18:00 on 24-06-2015, Robinson L
Alasdair: Also, guess who just got a review published in Strange Horizons? This guy.

Janne: Congrats for the Strange Horizons thing!

Ditto, great job; a very informative and entertaining review. Most of the way through it, I realized you (or somebody, anyway) were talking up this series in the Playpen a year or two ago; I'm glad to learn a bit more about it.
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at 00:34 on 24-06-2015, Arthur B
This talk of supporting characters from early on in a show not having anything of substance to do in subsequent seasons reminds me of why I gave up on Dragonball Z.
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at 20:15 on 23-06-2015, Janne Kirjasniemi
Congrats for the Strange Horizons thing! I also liked your analysis of Korra. While the problems with the series can be explained by the issues with the expansion into several seasons and all that, but it just seemed like they missed so many opportunities story-wise.

Like the equalists. It seemed like the problems between the benders and benderless were real enough, with the organized criminals being benders and the police force seemingly being comprised more of benders than not. So abandoning all that and focusing on Amon being just a bloodbending maniac was disappointing.

I still liked the show, it was just disappointing that they never had time to develop things fully. Zaheer was an interesting villain and his use in helping Korra in the end was a good development. That he was defeated in the end by not death, but being forced to recognise that he was wrong and his actions actually made the world demonstarbly worse from his point of view. And I too liked Tenzin and his stoic dignity in a world that was fundamentally too ridiculous for him.

Korra's spiritual development was supposed to be the red string that defined her arc through the seasons, but in the end it did not really work. Korra's discoveries rarely happened through her realising something important, but were too often just her discovering a new power. But this is perhaps a problem that was evident in Atla as well. Aang's chakra being closed and his fear that becoming the avatar meant losing those he loved was not really resolved, by him realising that it does not have to mean that, but his chakra was just opened by that rock hitting his back just right.

Soperhaps this is something the writers struggled with. Perhaps they did not want to make any strong statements that could be understood to be too religious for an adventure show? Curiously Zaheer's enlightenment of sorts was more believable in his villainous arc than anything that Korra worked through. I mean she did grow, but it all happened so abrubtly and was not written well.
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at 01:02 on 23-06-2015, Alasdair Czyrnyj
Oh, please, go ahead and comment! I need all the traffic I can get!

With Korra the ballooning cast is definitely a side-effect of the show expanding from a miniseries to a full series. With ATLA, there was always a clear idea of where they wanted the show to go, so they were able to pick a model for their cast and stick to it. There really wasn't such a clear idea with Korra, so we got the season 1 supporting cast tagging along as more and more characters were heaped on, and there was never any satisfactory way of prioritizing the supporting cast.

That said, there was some pretty good stuff with some of the supporting characters. I might be getting old, but I just loved the storylines with Tenzin in seasons 2 and 3, with him dealing with his family, living up to his father's legacy, and trying to be the sole living authority on a culture that went extinct decades ago. Lin is someone who got lost in the shuffle, but once they get her with Suyin and Toph there's a lot of good ol' dysfunctional family drama to be had.

Also, guess who just got a review published in Strange Horizons? This guy.
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at 19:25 on 20-06-2015, Orion
I mostly agree with you Alasdair. I may write you a longer comment to drive traffic on your blog. It hadn't occurred to me to think of the problem with the supporting characters in terms of the premise/format of the show. I would tempted to lay most of the blame on the size of the cast. The Gaang had 3 members in season 1, 4 in season 2, and 5 in season 3. The Korrps had 5 in season 1, 6 in season 2, ~8 in season 3, and no central cast in season 4. When you consider that the entire show was the length of 2 seasons of Aang, it was pretty much impossible to do anything terribly satisfying with the support staff.
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at 04:59 on 19-06-2015, Melanie
Ooooo, that's informative. I've seen ATLA, but not Korra (it wasn't over yet when I finished ATLA, and that was plotty enough that I figured I'd want to watch the sequel more or less all at once, too. Then of course I forgot about it). Sounds like I'd have been a little disappointed, tbh.
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at 04:25 on 18-06-2015, Alasdair Czyrnyj
Hi everyone. I have an announcement to make. A few months ago, I decided to start blogging to try and make myself more comfortable with writing, and it's been long enough that I'm ready to start showing to people.

So if any of you have missed by particular brand of logorrhea, you can enjoy some of it at http://futuristdolmen.wordpress.com. I wrote a giant post about The Legend of Korra over the weekend, and I'd love for someone to come and tell me how wrong I am about everything.

P.S. If you haven't watched the Dishonored 2 reveal trailer yet, stop whatever it is you're doing and go watch the Dishonored 2 reveal trailer.

P.P.S. All hail the Great Uniter.
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at 05:00 on 15-06-2015, Michal
Speaking of interactive fiction...

BEHOLD.

CRY$TAL WARRIOR KE$HA
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at 11:08 on 11-06-2015, Arthur B
The more I learn about the conditions surrounding not just AAA game design but even moderately ambitious B-tier game design, the more I think the games industry is the greatest engine ever devised for turning hobbyist enthusiasts into dead-eyed drones who will gladly accept conditions that'd prompt worker bees to strike because they'd kidded themselves that a) what they are producing will be regarded as art and b) they personally will get even a sniff of the credit for that.
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at 03:31 on 11-06-2015, Alasdair Czyrnyj
Oh, Arthur...this is the 21st century. "Too big to fail" is the creed of our era. Nothing actually collapses anymore; it just gets bigger and bigger and worse and worse until we all wish we were dead. Fun times!

That article reminded me of something I found a few weeks back: The Writer Will Do Something, a short bit of interactive fiction where you play as the lead writer on the third installment of a triple-A franchise that is shaping up to be a major shitshow. The story is set in a staff meeting with the lead developers, about six months from release, where the topic of the hour is What Is To Be Done. As it turns out, the fact that you never played the first two games is the least of your problems.

There's a lot of interesting stuff going on in this story. It's a slight exaggeration of how messed up triple-A development can be. The creator, Matthew Burns, has done his time on multiple Halo and CoD titles, and was a freelancer on the the debacle that was Destiny, so there's a lot of disguised personal experience in there. On a more basic level, the story's about the problem of being creative in an working environment that is inimically hostile to the luxuries creativity needs to flourish.

(Oh, and by the by, I found this while I was browsing the discussion for a Let's Play of Watch_Dogs.)
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at 12:18 on 10-06-2015, Arthur B
Open question: given that AAA games now need to sell entirely absurd numbers to be deemed profitable enough by their publishers, and given that this article manages to look like outrageous satire when in fact the timeline presented appears entirely reasonable, how long do people give it before AAA game development crashes entirely, leaving only indie developers scrabbling about in the ruins?
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at 16:42 on 06-06-2015, Janne Kirjasniemi
This Hugo nonsense was noted on in the Finnish press as well, as it came out that the owner of Castalia House, a publisher of conservative scifi, is some guy from Kouvola running it from his home, fuming at left wing message fiction.

Make's one proud to be Finnish I guess, our boy making a mark on the world in such an insignificant way. Almost as great as when Lordi won the Eurovision, or when we became the champions of the whole world in 1995(in ice hockey). The Lordi thing was kinda cool though. And the 1995 thing did offer an excuse for underage drinking and missing school.
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at 20:12 on 05-06-2015, Arthur B
Ladies and gentlemen: Hatebeak, a grindcore band whose lead singer is a parrot.
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at 19:16 on 04-06-2015, Michal
Ancillary Sword made it past the rabid/sad puppy slates, and Three Body Problem sneaked in because a puppy candidate declined his nomination on the grounds of "I don't want to be associated with this mess". I think that's also the case for Goblin Emperor since Correia declined his nomination as well.

The quality of work on the ballot this year in the short form categories has taken a huge dive from the usual mix of mediocre and not-so-mediocre right into "hang your head in shame for ever liking this" territory. It's straight-up embarrassing, and makes all those complaints about "The Leviathan that thou hast Made" a few years back look positively quaint in comparison .
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at 13:23 on 04-06-2015, Chris A
@James D - I have to admit that while I'd never thought of myself as caring much about the Hugos, I was caught off guard by how irritating I found it to see the process shut down by the Puppy slate this year. As it turns out, I like following the nominee discussion and ritual complaining about how terrible the winners are, and look forward to seeing my favorites nominated. This year, I was hoping for a nod for Elizabeth Bear's final Eternal Sky book and to see Abigail Nussbaum nominated for best fanwriter again. Instead we get Jim Butcher's umpteenth Dresden Files novel and a collection of rightwing chain e-mails from "Patriarchy Press." It's also the only time I ever read any SFF short stories, and this year the crop of nominated stories is truly dire.

I agree that the Hugo voters do seem have their perennial darlings - Neil Gaiman, Lois McMaster Bujold, Connie Willis, China Mieville - but would point out that a set of awards given on the basis of sales figures and advertising dollars would probably look very different. Neither Robert Jordan nor George RR Martin have ever won, after all, and the only (?) non-Puppy novel to receive enough nominations to make it past the Puppies this year is Katherine Addison's (nee Sarah Monette) Goblin Emperor, which can't be much of a blockbuster. (I also would never have read Sofia Samatar's A Stranger in Olondria if it hadn't been nominated for a Hugo a couple years back, and it was a really wonderful book from a small press.)
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at 02:42 on 03-06-2015, Sunnyskywalker
Thought this might be of interest based on some past articles and discussion here... SF Signal posted a short video (under 2 minutes) in which various authors attempt to define steampunk. It's elegant furnishings and steampower! It's also a costuming movement! It's history-ish but focusing on all the neat bits! It can sometimes unthinkingly celebrate imperialism and colonialism but can also be used to critique them!

http://tinyurl.com/nnwm66e
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at 04:50 on 01-06-2015, Michal
The Hugo nonsense has done a wonderful job of telling me whom to avoid in the sff community in the foreseeable future.
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at 22:36 on 31-05-2015, James D
The Hugo drama has died down a bit I think, as there's not much more to be discussed until voting closes on July 31st and the awards are announced later on.

Personally, I never really cared much about the Hugos; they're a popularity contest which hasn't represented my own taste in sci-fi in the slightest since sometime in the 70s (Ender's Game won best novel in 1986, nuff said). Reading what some well-meaning people have written about this "assault on the sanctity of the Hugos" or however they characterize it just seems ridiculous to me, as what gets on the ballot is already massively skewed by numerous industry factors such as advertising, size/distribution network of the publisher, how established a fanbase the author has, and of course the general commercial viability of the writing itself. Granted, occasionally the awards do give publicity to smaller authors from less represented groups, which is probably due in part to the restriction of voting to WorldCon attendees/membership holders. So, there's a bit more of a control when compared to, say, raw sales figures, as the average voter is probably more literate than the average sci-fi reader. But only a bit.

Honestly I can't help but feel incredibly dismissive of large awards circuses of any sort, and I can't bring myself to observe this fiasco with anything other than faint amusement.
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at 20:02 on 31-05-2015, Arthur B
What's the latest news? Last I heard Sad Puppies got onto the voting slate, large numbers of people decided to No Award the pups.

"The Hugo nonsense" is the best term for it, if only to suggest it occupies a bleak Thomas Ligotti universe in which the Puppies' insistence on reactionary-flavoured escapism is exposed for the risible denial of cosmic nothingness it is.
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at 18:58 on 31-05-2015, Adrienne
I'm wondering if the 'Kyra' who's been posting on the File770 threads about the Hugo nonsense is our very own Ferretbrain editor.

(Oh, the Hugo nonsense. Any other Ferretneurons following along? It's like a trainwreck i can't look away from...)
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at 18:02 on 19-05-2015, Robinson L
I recently got put onto this Kickstarter, and it looks pretty cool, and like the sort of thing some Ferretneurons may want to back.

It's a 74-page graphic novel about a young woman going to Comic Con who witnesses a murder, and hides out from the killer at the convention. Seems like a promising premise to me, and I absolutely adore the artwork.

(If you're interested in backing, you'll have to hurry - the Kickstarter closes on Saturday.)
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at 18:00 on 01-05-2015, Robinson L
Happy May Day, Ferretbrain; hope you're all having fun and/or kicking up some well-deserved trouble.
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